JON DI FIORE

DRUMMER • COMPOSER • EDUCATOR

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Added to all this he was involved in Jazz at the Philharmonic and worked with National King Cole and Charlie Barnet.He died of cancer on March 7, 1967, in Los Angeles, California, at the age of 56.Jazz critic John South. Jobs in the United States >>>. Best Of Willie Smith -- Alto Saxophonist Supreme LP (Item 519247) GNP, 1965 . Willie Smith (1910 - 1967) stands alongside Johnny Hodges and Benny Carter as one of the three great alto saxophone players of the pre-Charlie Parker generation - yet this is the first double CD devoted to his formidable artistry. Willie Smith, Louis Bellson and Juan Tizol left Harry James. RETROSPECTIVE RTS 4368 [77:25 + 79:56] Track list at end of review. Found inside – Page 35... alto sax player Myron Walden and tenor saxophonist Melvin Butler. ... the saxophonist arranged himself with the help of Cleveland legend Willie Smith. uDiscover. Found inside – Page 136Also of note is that tenor saxophonist Paul Gonsalves had formally joined the ... alto saxophone star Willie Smith, and former Ellington orchestra valve ... Alto Sax. Mike Cavadini - Piano, alto sax, vocals At home in any style on the 88's. Switches to alto sax to join the B. Willie Horns. The Chess Box, a Compilation of songs by Willie Dixon. Willie Smith Corky Corcoran Star Dust $ 2.00 Add to cart . Found insideSmith,. Willie. (William. McLeish). Saxophone, clarinet, arranger, singer 25 November 1908 (Charleston, S.C.)–7 March 1967 (Los Angeles, Calif.) ... Alto Sax. Wilson described Smith as "one of the triumvirate of great jazz alto saxophonists before Charlie Parker arrived. These programs are designed to promote individual development. His first instrument was clarinet and his education was in chemistry. Before Fame He learned clarinet from his father and played both clarinet and piano semi-professionally until he took up alto saxophone. Willie Smith (1910 - 1967) was an altosax player who first became known through his work with Jimmie Lunceford in the 1930s and later with the Harry James orchestra…. Alto Saxophone - Benny Carter. In 1929, Smith became an alto saxophonist for Jimmie Lunceford's band, becoming one of the main stars in the group. The sound and quality of these recordings is exceptional. This helps to explain the ascendancy of this noble instrument, and of the tenor saxophone in particular, to its present position as the leading innovatory instrument in jazz. Found inside – Page 131(I Don't Stand) A Ghost of a Chance (with You)* (Young-Crosby-Washington) 3:¡7 Trumpets: Joe Guy, Howard McGhee; Alto Saxophone: Willie Smith; ... Willie Smith And His Orchestra -. It is this capacity to create its own distinctive musical aura which makes the saxophone the instrument of choice for dance bands and jazz groups. Alto sax great Willie Smith plays Sophisticated Lady (LA 1947) Willie Smith (as), Dodo Marmarosa (p), Barney Ke. Our second white player, Irving ‘Babe’ Russin was best known for his long association with Benny Goodman but was a confident soloist in the big-toned style whenever he was given the chance. Free shipping for many products! The superior piano is Hank Jones. Paul Desmond, born in San Francisco, CA, in 1924. He sounds more engaged by These Foolish Things, his masterly paraphrase helping to explain why he inspired a whole generation of later saxophonists like Stan Getz, Zoot Sims, and Brew Moore. Billie Holiday. I’m Confessin’, originally made famous by Louis Armstrong, is another languorous Young outing, with only minimal intervention from pianist Argonne Thornton (aka Sadik Hakim). Two dozen classic performances by the greatest names in saxophone jazz. The biggest example is that of Philip Phillips who brought a lawsuit against 19 Entertainment, the company that produces the show . Cat Anderson, trumpet; Juan Tizol, trombone; Willie Smith, alto sax; Paul Gonsalves, tenor sax; Billy . His first instrument was clarinet and his education was in chemistry. Found insideThis is Johnny Hodges." Hodges' unforgettable tone resonated throughout the jazz world over the greater part of the twentieth century. Michael Brecker East River $ 2.00. Willie Smith (1910-1967) stands alongside Johnny Hodges and Benny Carter as one of the three great alto saxophone players of the pre-Charlie Parker generation - yet this is the first double CD devoted to his formidable artistry. jazz musician Willie Smith Biography. After that he worked with Duke Ellington and Billy May. Welcome Back! Found inside – Page 27Among alto section-players. the supreme exponent in the period was surely Willie Smith (1910-67). Throughout the 1930s he was both the leader of the Jimmie ... Poignant yet jubilant, it shows Parker’s gift for the telling phrase and clever use of space. Willie Smith. Jimmie Lunceford - Wikipedia Leaders of these sessions included Wardell Gray , Lionel Hampton , Mel Tormé , Willie Smith , Lester Young , and, with Marmarosa as house pianist for Atomic Records , Slim Gaillard and Barney Kessel . Outside of business hours? He also had long gigs in Cleveland at . Found inside – Page 208The Drum Battle / Gene Krupa and Buddy Rich at Jazz At The Philharmonic ( Verve 8369 ) Recorded 10/11/52 , and featuring Willie Smith ( alto sax ) ... Found inside – Page 68... Alex Megyesy , Don Smith , William Green , tenor saxophone ; Willie Smith , Bud Hooven , alto saxophone ; Eric Dolphy , Bob Olney , alto saxophone ... Prabook is a registered trademark of World Biographical Encyclopedia, Inc. Found inside – Page 30... JIMMY HAMILTON ( clarinet / tenor sax ) , WILLIE SMITH ( alto sax ) , RUSSELL PROCOPE ( alto sax ) , PAUL GONSALVES ( tenor sax ) , HARRY CARNEY ... Willie Smith was one of the few challengers to the supremacy of Johnny Hodges on alto saxophone. The Gypsy is from an earlier period when Bird was in Los Angeles. Found inside – Page 51After a brief transition by tenor saxophonist Joe Thomas (1:00), Willie Smith plays an improvised counter line on baritone sax against the band playing the ... Willie Smith was one of the few challengers to the supremacy of Johnny Hodges on alto saxophone. American jazz pianist and one of the masters of the stride style, usually grouped with James P. Johnson and Thomas "Fats" Waller as the three greatest practitioners of the genre in its golden age, from about 1920 to 1943. The other two were Johnny Hodges, who had a fat, luscious tone, and Benny Carter, a model of clean, pure-toned playing.Stylistically, Smith fell between Carter and Hodges for he combined some of Carter"s clarity and singing directness with a variant of Hodges" gut sound.". I recently returned a CD not to my taste and I received a prompt refund. Indeed, our compilation reflects this, with contributions from such stirring tenor-saxophonist stylists as Coleman Hawkins, Lester Young and Chu Berry, and that’s not to overlook the input by major alto-saxophonists like Johnny Hodges and Benny Carter, or that of the coruscating soprano saxophone virtuoso Sidney Bechet. Featured peformers: Andy McKaie (compiler), Don Snowden (compiler), Greg Fulginiti (mastering), Vartan (art direction), Willie Dixon (songwriter). After a career studded with mighty achievements, Hawkins seemed to lose interest and let himself go. The Coronets, Billy Strayhorn's combo. Evans was a mentor to Tate and it’s clear that the younger man was keen to avoid a simple re-run of the celebrated Evans version. Johnny Hodges sounds silkier on Night Wind with bassist Billy Taylor’s Big Eight. He also played clarinet and sang. His breathy tone and luxurious phrasing adorn I Got It Bad, composed by his old boss, Duke Ellington and premiered by vocalist Ivie Anderson. It was perfected by its inventor, the Belgian clarinettist Adolphe (originally Antoine Joseph) Sax as recently as the mid-nineteenth century. Found inside – Page 107On this track Reuss sets up Willie Smith's lithe alto - sax chorus with a moody unaccompanied intro echoing Van Eps in its use of chromatics and moving ... Corcoran Star Dust $ 2.00 Add to cart Chess Box, a Compilation of songs by Dixon. Recordings is exceptional career studded with mighty achievements, Hawkins seemed to lose and. Resonated throughout the jazz world over the greater part of the triumvirate of great alto! 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